NOTES L2: 1 2 3 4 5 | L3: 1 | L4 | Other
Pieces to Learn One Day (I love these)
Human Compassion by Riopy
Victor’s Piano Solo
Mariage d’Amour
Moonlight Sonata
G Minor Bach (Arr. Luo Ni)
Passacaglia – Handel/Halvorsen (Piano Solo)
Lacrimosa – Mozart
A Comme Amour – Richard Clayderman
Nashville Jamboree, Judy East Wells
Empathy – Gavin
Jazz/Blues Chords
| Cmaj | C E G |
| Cm | C D♯/E♭ G |
| C7 | C E G A♯/B♭ |
| Cmin7 | C D♯/E♭ G A♯/B♭ |
| Cmaj7 | C E G B |
| Csus4 | C F G |
| C7sus4 | C F G A♯/B♭ |
| C6 | C E G A |
| Cmin6 | C D♯/E♭ G A |
| Cdim | C D♯/E♭ F♯/G♭ |
| Cdim7 | C D♯/E♭ F♯/G♭ A |
| Caug | C E G♯/A♭ |
| C7-5 | C E F♯/G♭ A♯/B♭ |
| C7+5 | C E G♯/A♭ A♯/B♭ |
| Cm7-5 | C D♯/E♭ F♯/G♭ A♯/B♭ |
| Cm/maj7 | C D♯/E♭ G B |
| Cmaj7+5 | C E G♯/A♭ B |
| Cmaj7-5 | C E F♯/G♭ B |
| C9 | C E G A♯/B♭ D |
| Cm9 | C D♯/E♭ G A♯/B♭ D |
| Cmaj9 | C E G B D |
| C7+9 | C E G A♯/B♭ D♯/E♭ |
| C7-9 | C E G A♯/B♭ C♯/D♭ |
| C7+9-5 | C E F♯/G♭ A♯/B♭ D♯/E♭ |
| C6/9 | C E G A D |
| C9+5 | C E G♯/A♭ A♯/B♭ D |
| C9-5 | C E F♯/G♭ A♯/B♭ D |
| Cm9-5 | C D♯/E♭ F♯/G♭ A♯/B♭ D |
| C11 | C E G A♯/B♭ D F |
| Cm11 | C D♯/E♭ G A♯/B♭ D F |
| C11-9 | C E G A♯/B♭ C♯/D♭ F |
| C13 | C E G A♯/B♭ D F A |
| Cm13 | C D♯/E♭ G A♯/B♭ D F A |
| Cmaj13 | C E G B D F A |
| Cmaj13♯11 | C E G B D F♯/G♭ A |
| Cadd9 | C E G D |
| Cmadd9 | C D♯/E♭ G D |
| Csus2 | C D G |
| C5 | C G |
| C(♭5) | C E F♯/G♭ |
| C(♯5) | C E G♯/A♭ |
| Cmaj11 | C E G B D F |
| Cm6/9 | C D♯/E♭ G A D |
| Cm/maj9 | C D♯/E♭ G B D |
| Cm7♯5 | C D♯/E♭ G♯/A♭ A♯/B♭ |
| C7/6 | C E G A A♯/B♭ |
| C7♭5♭9 | C E F♯/G♭ A♯/B♭ C♯/D♭ |
| C7♯5♭9 | C E G♯/A♭ A♯/B♭ C♯/D♭ |
| C7♭5♯9 | C E F♯/G♭ A♯/B♭ D♯/E♭ |
| C7♯5♯9 | C E G♯/A♭ A♯/B♭ D♯/E♭ |
| C7♯11 | C E G A♯/B♭ D F♯/G♭ |
| C7♭9♯11 | C E G A♯/B♭ C♯/D♭ F♯/G♭ |
| C13♭9 | C E G A♯/B♭ C♯/D♭ F A |
| C13♭5♭9 | C E F♯/G♭ A♯/B♭ C♯/D♭ F A |
| C13+11 | C E G A♯/B♭ D F♯/G♭ A |
| C13♭9♯11 | C E G A♯/B♭ C♯/D♭ F♯/G♭ A |
Jazz/Blues Scales
| C Major | C D E F G A B |
| C natural minor | C D D♯/E♭ F G G♯/A♭ A♯/B♭ |
| C harmonic minor | C D D♯/E♭ F G G♯/A♭ B |
| C melodic minor (ascending) | C D D♯/E♭ F G A B |
| C major pentatonic | C D E G A |
| C minor pentatonic | C D♯/E♭ F G A♯/B♭ |
| C blues | C D♯/E♭ F F♯/G♭ G A♯/B♭ |
| C minor blues | C D D♯/E♭ F F♯/G♭ G G♯/A♭ A♯/B♭ |
| C major blues | C D D♯/E♭ E F F♯/G♭ G A A♯/B♭ |
| C augmented | C D E F♯/G♭ G♯/A♭ A♯/B♭ |
| C diminished | C D D♯/E♭ F F♯/G♭ G♯/A♭ A B |
| C Phrygian-Dominant | C C♯/D♭ E F G G♯/A♭ A♯/B♭ |
| C Dorian | C D D♯/E♭ F G A A♯/B♭ |
| C Phrygian | C C♯/D♭ D♯/E♭ F G G♯/A♭ A♯/B♭ |
| C Lydian | C D E F♯/G♭ G A B |
| C Mixolydian | C D E F G A A♯/B♭ |
| C Locrian | C C♯/D♭ D♯/E♭ F F♯/G♭ G♯/A♭ A♯/B♭ |
| C jazz melodic minor | C D D♯/E♭ F G A B |
| C Dorian ♭2 | C C♯/D♭ D♯/E♭ F G A A♯/B♭ |
| C Lydian augmented | C D E F♯/G♭ G♯/A♭ A B |
| C Lydian ♭7 | C D E F♯/G♭ G A A♯/B♭ |
| C Mixolydian ♭13 | C D E F G G♯/A♭ A♯/B♭ |
| C Locrian ♯2 | C D D♯/E♭ F F♯/G♭ G♯/A♭ A♯/B♭ |
| C super Locrian | C C♯/D♭ D♯/E♭ E F♯/G♭ G♯/A♭ A♯/B♭ |
| C whole half diminished | C D D♯/E♭ F F♯/G♭ G♯/A♭ A B |
| C half whole diminished | C C♯/D♭ D♯/E♭ E F♯/G♭ G A A♯/B♭ |
| C enigmatic | C C♯/D♭ E F♯/G♭ G♯/A♭ A♯/B♭ B |
| C double harmonic | C C♯/D♭ E F G G♯/A♭ B |
| C Hungarian minor | C D D♯/E♭ F♯/G♭ G G♯/A♭ B |
| C Persian | C C♯/D♭ E F F♯/G♭ G♯/A♭ B |
| C Arabian | C D E F F♯/G♭ G♯/A♭ A♯/B♭ |
| C Japanese | C C♯/D♭ F G G♯/A♭ |
| C Egyptian | C D F G A♯/B♭ |
| C Hirajoshi | C D D♯/E♭ G G♯/A♭ |
Piano with Jonny Notes
C13 – E A B♭ D
F13 – E♭ G A D
E7 (b13♯9) – Ab C D G
A7 (b13♯9) – G C D♭ F
D13 – G♭ B C E
G13 – F A B E
Blues Scale – C D D♯ E G A C
Minor 2-5-1 – Am7 Dm7 G7 CMaj7 FMaj Bø7 E7 Am7
Major 2-5-1 – CMaj7 FMaj7 Bø7 Em7 Am7 Dm7 G7 CMaj7
Diminished chords (°, b, dim, -): receive the ‘ ° ‘ symbol. Example: C° (or Cdim). The diminished chord is one formed by degrees 1, 3b, 5b and 7bb. When only one note is diminished (lowered), you can use the “b” or “-” symbol. Example: G7(b5) or G7(-5). The “-” symbol is also used in American notation to say that the chord is minor (instead of the letter “m”), for example: A- (is the same as Am). So don’t get confused when you see something like the C-7 (in this case, it’s the Cm7 chord, not the C chord with diminished seventh).
Suspended chords: are the chords that don’t have the third. They receive the acronym “sus”. These chords are usually accompanied by a perfect fourth. Example: Asus4.
Augmented chords (aug, +, #): can receive the symbol “#” or “+” next to the altered degree in question. Example: G7(#5) or G7(+5). Note: when the altered note is the fifth, the chord can also receive only the “+”, for example: C+.
